Curriculum vitae

 

Dr Tessa Wendy KNIGHTON BOLTON

(b. 31 March 1957, Colchester (Essex))

ICREA Research Professor, Institució Milà i Fontanals (CSIC)

Address: Carrer Pelfort 7, 08017 Barcelona

mobile: 697 147804; email: tknighton@icrea.cat

 

 

Researcher identity:

ORCID  0000-0002-8529-9376

SCOPUS  26121198300

World of Science  AAA-1117-2019

 

 

Education and academic record

 

2001                            University of Cambridge, Faculty of Modern & Medieval Languages: Certificate in Portuguese (Distinction)

 

1984                            Doctor of Philosophy Music and musicians at the court of Fernando of Aragon, 1474-1516

 

• Clare College, Cambridge

MA Hons (Cantab) (Pt.I: Modern & Medieval Languages:                       

Pt.II: Music)                                                

 

1968-1976                  Felixstowe College, Suffolk

10 ‘O’ levels; 3 ‘A’ levels (Spanish A, French A, English Literature A); ‘S’ level (Spanish, Grade 1)

Grade VIII (distinction) flute and piano

 

• St Runwald’s School, Colchester

11 Plus, Common Entrance

 

 

 

Languages

 

Employment

 

Academic:

 

May 2011-                   Research Professor, Institut Català de Recerca i Estudis Avançats (ICREA), Barcelona

1996-2011                   Fellow, Clare College, Cambridge

                                    College Teaching Officer in Spanish

                                    Director of Studies in Modern & Medieval Languages

                                    Undergraduate Tutor

                                   Admissions Tutor

June 2011-                  Emeritus Fellow

1996-2011                   Affiliated member of Department of Spanish and Portuguese, University of Cambridge (Translation from Spanish into English and from Catalan into English; supervisor of dissertations)

1993-2003                   Research Associate, Royal Holloway College, University of London

September 1993-        Director of Music, Wolfson College, Cambridge

August 1994

October 1991-             Temporary Lecturer, Faculty of Music, University of Cambridge

September 1993

September 1982-        Joanna Randall McIver Junior Research Fellow

August 1984               Lady Margaret Hall, Oxford

 

 

Editorial:

 

May 1992-                   Editor, Early Music (Oxford University Press) (Journal indexed in

December 2009           the ISI Web of Knowledge)

 

September 1989-         Assistant Editor, Early Music (Oxford University Press)

March 1991

 

2002–present               Series Editor (with Helen Deeming): Studies in Medieval and Renaissance Music (Woodbridge: The Boydell Press)

                                   

 

Freelance:

 

2010-2012                   Coordinator, Granada Festival,  Cursos Internacionales Manuel de Falla, Recuperación e Interpretación de Patrimonio Musical Iberoamericano

2003-2007                   Artistic Director, Southbank Early Music Weekend, Southbank Centre, London

September 1985-        Music Administrator, St James’s Piccadilly, London;

July 1986                   

January 1988-              Freelance writing and editing: music critic (early music) for The Independent, The Independent on Sunday, The Times, Gramophone, Early Music, Early Music News, Classical Music, etc. Programme notes for BBC Proms, BBC Symphony Orchestra, Nash Ensemble, Canterbury Festival, European Artists Direct, EMI, Virgin Classics, Deutsche Grammophon, Aldeburgh Festival, Glyndebourne Opera Festival, Edinburgh Internactional Festival, etc.

• Founder and Artistic Director, Lufthansa Festival of Baroque Music,

London

July 1986-                   Assistant, Music Presentation Index, BBC Radio Music Division December 1987          

 

 

Committees and editorial boards

 

2019-2021                   Advisory Committee: Corpus Christi anniversary, Catedral Barcelona

2019-                           Editor (with Ascensión Mazuela-Anguita) of on-line journal Interconnected Cities as part of the digital platform Historical Soundscapes

2019-                          Editorial Board, Anuario Musical

2018-                          Member of Advisory Committee, Schola Cantorum Basiliensis,

Basel, Switzerland

2016, 2018 & 2020    Panel member of ERC Starting-grants: Humanities and Social

Sciences SH5

2014-                           Secretary to the Editorial Board of Monumentos de la Música Española (CSIC)

2013-                          Editorial Board, Revista de Musicología

2012-2018                   Evaluation committee for the BBVA Premio Fronteras del Concocimento: Música contemporánea

2009-                          Editorial Board, Early Music (OUP)

2005-2008                  Committee of the Institute of Musical Research, University of

London

2001-2004                  Committee of the Royal Musical Association

1998-2012                  Member of the Editorial Board (UK representative), Anuario

Musical

1994-1998                  Member of the committee of the Society for Court Studies

1992-1997                  Member of the committee of the Plainsong and Medieval Music   

Society

• Arts Council of Great Britain Music Panel

1989-1991                  Member of the Advisory Committee of the Early Music Centre,

London

• Arts Council of Great Britain Early Music Awards

1986-1990                  Arts Council of Great Britain Early Music Network

1986-1989                  Committee member of the Anglo-Catalan Society  

           

 Awards, scholarships, grants

 

2015                            ICREA International Workshop Grants (2014), Hearing the City: Musical Experience as Portal to Urban Soundscapes

• Marie Curie Foundation Integration Grant (CIG-2012, no. 321876), Urban Musics and Musical Practices in Sixteenth-Century Barcelona

2008                            Robert M. Stevenson Award for Outstanding Scholarship in Iberian Music, American Musicological Society (eds. Tess Knighton & Álvaro Torrente), Devotional music in the Iberian world, 1450-1800: the villancico and related genres (Aldershot: Ashgate, 2007)

2000-2003                   Leverhulme Research Project (Faculty of Music, University of Cambridge): Music, Print and Culture in Spain and Portugal during the Renaissance, 1474-1621

• Leverhulme Trust Individual Award: ‘Music and Culture at the Court of the Catholic Monarchs’

1985                           Vicente Cañada Blanch Scholarship, University of London

1984                           Anglo-Catalan Scholarship from the Generalitat de Catalunya

• Joanna Randall McIver Research Fellowship

Lady Margaret Hall, Oxford

                                   

 

Research projects:

 

2017-2020                  Música y estudios culturales, Universidad de Jaén, Junta de

                                   Andalucía (HUM-942) PI: Virginia Sánchez López

2016-2020                  The Anatomy of Late Fifteenth-Century and Early Sixteenth-

Century Iberian Polyphonic Music, FCT: Projectos de Investigação científica e desenvolvimento tecnológico, Universidade Nova de Lisboa, CESEM; PI: João Pedro d’Alvarenga

2014-2017                   Universidad de Zaragoza, director María del Carmen Morte García, Artífice, el significado de los programas artísticos y musicales en la Península Ibérica durante las Edades Media y Moderna (Gobierno de Aragón, H-64: 248-129/1

2012-2016                  PI: ‘Urban Musics and Musical Practices in

Sixteenth-century Europe’, Marie Sklodowska-Curie, CIG-2012, no. 321876

2011-                          Barcelona, Institució Milà i Fontanals–CSIC, director María

                                    Gembero-Ustarroz, Música, patrimonia y sociedad (2009 SGR 1329; 2014 SGR 1113; 2018 SGR)

2009-2012                   Lisboa, Universidade Nova, director Manuel Pedro Ferreira, Intercâmbios musicais, 1100-1650. A circulação de música antiga na Europa e além-mar em fontes Ibéricas ou conexas

2008-2011                   Universidad de Zaragoza,  director Juan José Carreras, Historiografía musical y musicología en España: 1800-1950

• Madrid, Universidad Complutense, director Álvaro Torrente, Catálogo descriptivo de pliegos de villancicos, fase 4
• Leverhulme Research Project, Faculty of Music, University of

                                   Cambridge, director Iain Fenlon: Music, Print and Culture in

Spain and Portugal during the Renaissance, 1474-1621

• British Council/ Ministerio de Educación y Ciencia, Acción

Integrada with Universidad de Zaragoza/ Royal Holloway, University of London, directors Tess Knighton & Juan José Carreras: ‘Transformación y modernización en la música española en torno a 1700/ Change and development in Spanish music around 1700’

                                              

University teaching and courses:

 

Doctoral:

2005-9                         Madrid, Universidad Complutense, Facultad de Geografía e Historia, Departamento de Música, doctoral course: Nuevas perspectivas sobre la música y el Renacimiento en España: circulación, recepción y mecenazgo

 

Masters:

2019-                          UNIA, Baeza, Masters course in Patrimonio Musical: ‘El análisis

de la polifonía religiosa y profana en la época de los Reyes Católicos’

2013-2015                   Universitat de Barcelona, Masters in Música como arte interdisciplinar ‘Música y mujeres/ Música i dones’

2010                            Salamanca, Conservatorio Superior de Música, Master’s course in music analysis and contextualization: Música y ceremonia durante el reinado de Isabel y Fernando (1469-1516)

2008-2009                   Salamanca, Universidad de Salamanca, Masters course in Música Hispana: ‘La música en el Renacimiento en el mundo ibérico: nuevas perspectivas’

2007-2011                   Faculty of Modern & Medieval Languages, University of Cambridge, MPhil course on the Renaissance: ‘Music and Culture in the New World’

1999                            Salamanca, Conservatorio Superior de Música, Master’s course in music analysis: El repertorio cancioneril de la época de los Reyes Católicos

1996-1997                  Department of Music, Royal Holloway, University of London

Master of Music (MMus) course: ‘The Motet as an aid to Devotion in the First Half of the Sixteenth Century’

 

 

 

Undergraduate:

1996-2011                   Faculty of Modern & Medieval Languages, Department of Spanish and Portuguese: Translation classes (Spanish into English and Catalan into English)

1996-1997                  Faculty of Music, University of Cambridge

Seminars: ‘The motet in the Iberian Peninsula in the sixteenth century’

1995-1966                  Department of Music, Royal Holloway, University of London

Lecture course ‘Music in the royal chapels of Spain, c.1500-c.1700’

1994-1995                   Department of Music, Royal Holloway, University of London 

Lecture course ‘Music at the court of Ferdinand and Isabella’

• Faculty of Music, University of Cambridge

History of Music (‘The Golden Age of Spanish music, 1450-1600’); Notation

1987                           Royal College of Music, London

                                   History of Music (Monteverdi and the end of the Renaissance)

1982-1984                  Faculty of Music, University of Oxford

                                   History of Music (900-1600)

• Faculty of Music, University of Cambridge

Analysis and notation (Pt.I)

Criticism and aesthetics (Pt.II)

Keyboard harmony

 

Other courses:

 

June/July 2011            Granada, 42 Cursos Internacionales de Manuel de Falla, Artistic Consultant Curso de recuperación e interpretación del patrimonio musical iberoamericano: Tomás Luis de Victoria (1548-1611)

June/July 2010            Granada, 41 Cursos Internacionales de Manuel de Falla, Artistic Consultant Curso de recuperación e interpretación del patrimonio musical iberoamericano: Entre dos mundos: la música peninsular en el Nuevo Mundo s.XVI

December 2006           Baeza, Universidad Internacional de Andalucía, Música e instituciones eclesiásticas en Andalucía durante la Edad Moderna

June/July 2004            Granada, 35 Cursos Internacionales de Manuel de Falla, ‘Isabel I de Castilla y las músicas de su época en la Penímsula Ibérica’

July 2000                     University of Cambridge, International Summer School, European History: ‘Music patronage at the court of Ferdinand and Isabella’

July 1998                     El Escorial, X Cursos de Verano de la Universidad Complutense, ‘El mundo musical de Felipe II: corte, capilla, ciudad’

May 1997                    Úbeda, I Curso e Introducción a la Musicología Práctica, ‘El rescate y la difusión del patrimonio musical mediterráneo’: session ‘Documentar y difundir: una tarea común’

April 1996                  Universidad de Alcalá de Henares, Cursos de Especialización

Musical 1995-6: ‘El motete “español” a principios del siglo XV

September 1995          Murcia, Cursos de Verano, Caixa de Catalunya: ‘The interpretation of early music’

 

 

Theses supervised:

 

Irene Hernández Barrios, ‘Gustav Leonhardt segons les “Variacions Goldberg”. La seva evolució estilística en el seu context històric’, PhD, Universitat de Barcelona (submission: 2020)

 

Sergi González, ‘Evolució del paisatge sonor del Seguici Festiu de la Festa Major de Santa Tecla a Tarragona’, PhD, Universidad Autónoma de Barcelona (November 2019)

 

Maria Elena Cuenca Rodríguez, Las misas de Peñalosa (ca.1470-1528): estilo y contexto, PhD, Universidad Complutense, Madrid (with Javier Súarez-Pajares) (October 2017)

 

Manuel del Sol, La tradición monódica de las lamentaciones polifónicas del Renacimiento en España, PhD, Universidad Complutense, Madrid (with Álvaro Torrente) (February 2016) (Premio extraordinario de Doctorado, Universidad Complutense de Madrid)

 

Eva Esteve, Mecenazgo, reforma y música en la Catedral de Toledo (1525-1545), PhD, Universidad Complutense, Madrid (with Álvario Torrente) (January 2016)

 

Imogen Hares, The contextual contribution of the Concepcion Collection to the Jesuit mission narrative, MPhil., University of Cambridge, Faculty of Music, 2001

 

David R.M. Irving, Colonial musical culture in early modern Manila, PhD, University of Cambridge, Faculty of Music, 2007

 

Geoffrey Baker, Music and musicians in colonial Cuzco, PhD, Royal Holloway College, University of London, Department of Music, 2001

 

Miguel Ángel Marín, Music and musicians in provincial towns. the case of eighteenth-century Jaca (Spain) (with Juan José Carreras), PhD, Royal Holoway College, University of London, Department of Music, 2000

 

Margaret Duncumb, Polyphonic music for the liturgy: a study of Montserrat, Biblioteca MS 1085, MPhil., University of Cambridge, Faculty of Music, 1998

 

 

Álvaro Torrente, The sacred villancico in early eighteenth-century Spain: the repertory of Salamanca Cathedral, PhD, University of Cambridge, Faculty of Music, 1997

 

 

Theses examined:

 

Miguel Ángel López Fernández, Los Cantorales de Cisneros: recuperación de melodías hispánicas a través de sus fuentes y estudio de su proceso de composición (Universidad Complutense, Madrid, 2019) (supervised by Carmen Julia Gutiérrez)

 

Sonia Gonzalo Delgado, Programming Early Iberian Keyboard Music from Wanda Landowska to Santiago Kastner (Universidad de Zaragoza, 2017) (supervised by Juan José Carreras)

 

Lluis Bertrán, Musique en lieu: une topographie de l’expérience musicale a Barcelone et sur son territoire (1760-1808) (Université de Poitiers, 2017) (supervised by Miguel Ángel Marín and Thierry Favier)

 

Amelie Roper, The Culture of Music Printing in Sixteenth-Century Augsburg (University of St Andrew’s, 2017) (supervised by Bridget Heal)

 

Alberto Martín, El paisaje sonoro en Zamora enla Edad Moderna (Universidad de la Rioja, 2016) (supervised by Pablo Rodríguez)

 

María Cáceres Pimentel, Musicología, nacionalismo y activismo social en la España de entreguerras. Una biografía intelectual de José Subirá (1882-1980) (Universidad de Zaragoza, 2014) (supervised by Juan José Carreras and Cristina Urchueguía)

 

Antonio A. Pardo Cayuela, Rafael Mitjana (1869-1921): Trayectoria de un musicólogo, compositor y diplomático regeneracionista (Universitat de Barcelona, 2013) (supervised by Emilio Ros-Fábregas)

 

Ascensión Mazuela-Anguita, Artes de canto (1492-1626) y mujeres en la cultura musical del mundo ibérico renacentista (Universidad de Barcelona, 2012) (supervised by Emilio Ros-Fábregas)

 

Eva Llergo Ojalvo: El villancico en la Real Capilla de Madrid en el siglo XVII: dimensión genérica, espectacular y social  (Facultad de Filología, Universidad Complutense de Madrid, 2011) (supervised by Álvaro Torrente)

 

Mercedes Castillo Ferreira, Música y ceremonia en la Abadía del Sacromonte de Granada (siglos XVII-XIX), Universidad de Granada, Departamento de Historia del Arte y Música, 2009) (supervised by Emilio Ros-Fábregas)

 

Giuseppe Fiorentino, Música española del Renacimiento entre tradición oral y transmisión escrita: el esquemado de folía en procesos de composición e improvisación  (Universidad de Granada, Departamento de Historia del Arte y Música, 2008) (supervised by Emilio Ros-Fábregas)

 

Javier Marín López, Música y músicos entre dos mundos: la Catedral de México y sus libros de polifonía (siglos XVI-XVIII) (Universidad de Granada, Departamento de Historia del Arte y Música, 2007) (supervised by Emilio Ros-Fábregas)

 

Pablo Rodríguez, Música, poder y devoción: la Capilla Real de Carlos II (1665-1700), PhD (Universidad de Zaragoza, 2004) (supervised by Juan José Carreras)

 

Flora Marian Dennis, Music and Print: Book Production and Consumption in Ferrara, 1538-1598,  PhD (University of Cambridge, Faculty of Music, 2002) (supervised by Iain Fenlon)

 

José Abreu, Sacred Polychoral Repertory in Portugal, ca.1580-1660, PhD (University of Surrey, Department of Music, 2002) (supervised by Owen Rees)

 

Simon Furey, Harmony in Discord: An Analysis of Catalan Folk Song, PhD (University of Sheffield, Department of Spanish, 2001) (supervised by Alan Yates)

 

Michael John Ryan, Music in the Chapel of the Dukes of Braganca, Vila Viçosa, Portugal c1571-1640, PhD (University of London, 2001) (supervised by Owen Rees)

 

Antonio Corona Alcalde, The Players and Performance Practice of the Vihuela and Related Instruments, the Lute and the Guitar, from 1450 to c. 1650, as Revealed by a Study of Musical, Theoretical, Literary and Archival Sources, PhD (King’s College, University of London, 2000) (supervised by Tim Crawford)

 

Martin Ham, Thomas Crequillon in Context: A Reappraisal of his Life and of Selected Works, PhD (University of Surrey, Department of Music, 1998) (supervised by Owen Rees)

 

June Yakeley, The Guitar as an Instrument of Accompaniment in Seventeenth-Century Spain with Reference to José Marín (?1619-1699) and the Cancionero de Marín, PhD (Open University, 1996) (supervised by Trevor Herbert)

 

Owen Lewis Rees, Sixteenth- and Early Seventeenth-Century Polyphony from the Monastery of Santa Cruz, Coimbra, Portugal PhD, (University of Cambridge, Faculty of Music, 1991) (supervised by Iain Fenlon)

 

Michael John Noone, Music and Musicians at the Escorial, 1563 to 1665, PhD (University of Cambridge, Faculty of Music, 1990) (supervised by Iain Fenlon)

 

 

Conferences, workshops, lecture series, etc. organized:

 

2020                            Member of programme committee of the annual conference on

Medieval and Renaissance music (University of Edinburgh, July 2020)

 

March 2019                 Madrid, Fundación Juan: Ciclos de miércoles: La música de loas Reyes Católicos: Tres momentos históricos (programmer of three concerts: 13 March 2019 ‘Trista España sin ventura: la muerte del príncipe Juan’; 20 March 2019 ‘Juegos de amor cortesano (laredo, 1496), with pre-concert talk, broadcast on Radio Clásica; 27 March 2019 ‘De Flandes a Castilla (Burgo y Toledo, 1502)

 

January 2019              Barcelona, Museo d’Història de Barcelona (MUHBA): Entrades

reials a Barcelona, 1500 a 1700 (Organizer, with Alfredo Chamorro, of a series of six lectures)

[http://ajuntament.barcelona.cat/museuhistoria/es/entradas-reales-en-barcelona-1500-1700]

 

October 2018             Institució Milà i Fontanals–CSIC: ‘Humanitats en transició’

                                   (member of scientific committee and coordinator of the workshop

‘Sounds and Spaces’ (under the umbrella of ‘Urban Space and Knowledge’)

 

September 2018         International symposium: ‘El Cardenal Cisneros y la música’,

                                   Toledo, 27-29 September 2018 (intellectual programme director)

 

January 2017              Barcelona, Museo d’Història de Barcelona (MUHBA): Les arts i

           la ciutat: Espais performatius a la Barcelona modern, segles XVI-

XVII (Organizer of a series of six lectures)

 

January-May 2016      Barcelona, Institució Milà i Fontanals (CSIC), Four Inter-disciplinary Workshops in Cultural History:

‘Perspectivas culturales de viajes a Catalunya’

‘La experiencia sonora de la Semana Santa’

‘Fiestas y recreaciones urbanas’

‘Las artes y la representación del poder’

 

September 2015         ICREA International Workshop, Institut d’Estudis Catalans:

‘Hearing the City: Musical Experience as Portal to Urban Soundscapes’

 

May-November 2014  Barcelona, Institució Milà i Fontanals (CSIC), Barcelona: Four Interdisciplinary Workshops in Cultural History:

‘Aspectos sociales y culturales de la Inquisición’

‘El patronazgo cultural y la piedad devocional de fundaciones de capillas y dotaciones de misas y oficios litúrgicos’

‘Conventos como centros de patronazgo y actividad cultural’

‘Cultura y devoción de las cofradías’

 

June 2014                    Barcelona, Museu d’Història de Barcelona (MUHBA): One-day symposium Música i política. La cort de Carles III i l’atracció de Barcelona a Europa, 1705-1713

 

November 2013-         Barcelona, Museu d’Història de Barcelona (MUHBA): Series of

January 2014               six lectures on cultural history: ‘El mon dels oïents’

 

June 2013                    University of York, participation in strategic meeting on a proposal for Marie Curie TN project ‘Religious Monastic Institutions and Their Culture c. 1550-c. 1750’ (director Helen Hills)

 

• Universitat de Barcelona, Forum de Música, a series of eight research seminars (with Ascensión Mazuela-Anguita)

 

November 2012          Universidad de Zaragoza, VI Coloquio de Musicología: Mecenazgo y coleccionismo musical: member of Scientific Committee

 

July 2011                     Barcelona, Institució Milá i Fontanals–CSIC: Annual Conference on Medieval and Renaissance Music, organizer (with Emilio Ros-Fábregas)

 

March-April 2007       Clare College, Cambridge (with Philip Ford & Isabelle Bouvrande), International & Interdisciplinary Colloquium: ‘Imitation, Intention, Persuasion: Self-expression in Renaissance Arts and Letters’

 

December 2006           Congreso Internacional Música e instituciones eclesiásticas en Andalucía durante la Edad Moderna, Universidad Internacional de Andalucía, Sede Antonio Machado, Baeza: director with Miguel Ángel Marín

 

February 2002             London, Royal Festival Hall, Orchestra of the Age of Enlightenment: Handel Study Day, organizer

 

February 2001             Clare College, Cambridge, One-day symposium as part of the Leverhulme research project Music, Print and Culture in Spain and Portugal during the Renaissance, 1474-1621: ‘Music, Print and Culture in the Renaissance’, organizer

 

May 2000                    Valencia, Congreso Internacional ‘Música y cultura urbana en la Edad Moderna’: coordinator of the session ‘Músicos en una sociedad urbana’

 

September 1998          Braga, Universidade do Minho, Association of Hispanists of Great Britain and Ireland: coordinator of the session ‘Villancico’

 

July 1998                     University of York, Annual Conference on Medieval and Renaissance Music: organizer of session on Philip II and Music

 

July 1998                     University of London, Institute of Romance Studies, International Conference Secular genres in sacred contexts? The villancico and the cantata in the Iberian World, 1400-1800, co-organizer with Álvaro Torrente

 

August 1997               London, Royal Academy of Music, One-Day Colloquium of The Historical Brass Society; Chair of the Renaissance Session

 

April 1997                   Ávila, Congreso International ‘Poder, mecenazgo e instituciones en la música mediterránea, 1400-1700’, member of scientific committee

 

July 1996                     London, Royal Holloway, University of London, The Royal Chapels project, two-day seminar: ‘The Royal Chapels of Europe: Music, Ceremonial and Institutions (1450-1750)’, organizer (with Juan José Carreras)

 

May 1996                    Ávila, Seminario ‘La catedral como institución musical (1500-1800)’: coordinator of session ‘Géneros y funciones en la música catedralicia’

 

July 1994                     Bangor, School of Music, Annual Conference on Medieval and Renaissance Music: coordinator of session on Spanish music

 

July 1983                     Oxford, Pembroke College, Annual Conference on Medieval and Renaissance Music: coordinator of two sessions on Spanish music

 

 

Seminars:

 

December 2019           Universitat Autónima de Barcelona, Jornada d’Estudis Doctorals en Musicología ‘Paisatges sonors i noves tecnologies’: ‘El paisaje sonoro: entre musicología urbana y sound studies’

 

December 2019           Seminar Series of the IMS Research Group ‘Global History of Music’: ‘Connected Music Histories in the Global Renaissance’

 

November 2019          Barcelona, Cathedral, ‘500 Anniversari de Carles V a Barcelona’: ‘Carles V y la música: Ceremonias reales en Barcelona, 1519’

 

May 2019                    Barcelona, Universitat de Barcelona, Facultant de Geografia i Història, Seminar de Prehistòria i Arqueologia, Artsoundscapes Seminar series: ‘Acoustic Communities in Early Modern Barcelona’

 

March 2019                 ICREA Research Seminar: ‘Beyond Musicology’

 

January 2019               Madrid, Fundación Juan March, Seminario de Música Aplicada  ‘From Archives to Stage: Revivals of Music and Current Listeners’: ‘Musicological Mediation of the Past: Interpreting the cancionero Repertory of c.1500 for Modern Audiences’

 

February 2018                        Valencia, Institut Valencià de Cultura, Universita de València,

Seminario-Taller ‘La música tard-medieval irenaixentista al Regna de València: historioigrafia i perspectives d’estudi’: ‘Escribir la historia de la música en el contexto urbano: objetivos, fuentes y metodologías’

 

May 2017                   Barcelona, Universidad Internacional de Catalunya, seminario: ‘La

musicología urbana: objetivos, fuentes y metodologías’

 

April 2017                   Barcelona, Universitat Autónoma de Barcelona, X Jornadas de Jóvenes Musicólogos: ‘Imprenta musical y repertorios, ss. XVI-XVII’

 

March 2017                 Barcelona, Universitat de Barcelona, Departament de Història: ‘Musicología urbana: objetivos, fuentes y metodologías’

 

March 2017                 Madrid, Universidad Complutense de Madrid, Jornadas de Investigación Musical ‘Una mirada caleidoscópica para la historia’: Musicología urbana: objetivos, fuentes y metodologías’

 

May 2016                    Barcelona, Universitat Autónoma de Barcelona, research seminar: ‘Musicología urbana: objetivos, fuentes y metodologías’

 

May 2016                    Barcelona, ESMUC, research seminar: ‘Musicología urbana: objetivos, fuentes y metodologías’

 

February 2015             Barcelona, ESMUC, research seminar: ‘Instrumentos musicales en los espacios domésticos de la ciudad: Barcelona, s.XVI’

 

December 2014           Universitat de Girona, Medieval History Seminar: ‘Perspectivas del mecenazgo musical en época de los Reyes Católicos’

 

December 2013           Barcelona, ESMUC, research seminar (Master in Musicology): ‘Música callejera: pasado y presente’

 

December 2013           University of Cambridge, Corpus Christi College/ Faculty of English, one-day seminar Biblioteca Hernandina: ‘Hernando Colón as Collector of Music Books’

 

May 2012                    University of California, Los Angeles, Department of Music: ‘Sixteenth-Century Inventories as a Research Tool to Gauge Musical Literacy and Practice in Renaissance Spain’

 

May 2012                    Barcelona, ICREA, 48 Colloquium: ‘Where to Buy Morales’s Masses and Rore’s Madrigals in Sixteenth-Century Barcelona: The Parameters of Urban Musicology’

 

May 2012                    University of Cambridge, Faculty of Music, research seminar: ‘Recreating Urban Soundscapes: The Case of Renaissance Barcelona’

 

March 2012                 Universidad de La Rioja, Logroño, research day: ‘La musicología más allá de las aulas’

 

February 2012             Bristol University, Department of Music, research seminar: ‘Where to Buy Morales’s Masses and Rore’s Madrigals in Sixteenth-Century Barcelona: The Parameters of Urban Musicology’

 

January 2012               Universitat de Barcelona, seminar for the Fórum de música: ‘Publicar o perecer: cómo, cuándo y dónde publicar la investigación musical en el siglo XXI’

 

December 2011           Barcelona, Institució Milà i Fontanals (CSIC): Seminar series Recerca avui: Noves perspectives en Ciències Humanes i Socials: ‘Aproximaciones metodólogicas a la música urbana: documentación jurídica zaragozana circa 1500’

 

November 2011          Barcelona, Residencia de Investigadores (CSIC): ‘Homenaje al compositor Joan Guinjoan’

 

June 2011                    Granada International Festival of Music and Dance, Cursos de Manuel de Falla: ‘“Un gran misterio”: la dinámica entre edición e interpretación’

 

June 2010                    Granada International Festival of Music and Dance, Cursos de Manuel de Falla, ‘Entre dos mundos: la música peninsular en el Nuevo Mundo circa 1600’

 

November 2009          Zaragoza, Institución Fernado el Católico, Coloquio sobre la Edición Musical: ‘“Un gran misterio”: la dinámica entre edición e interpretación’

 

November 2009          University of London, Queen Mary College, History Seminar: ‘Religion and the Senses: The Art of Devotion at the Court of the Catholic Monarchs’ (with The Orlando Consort)

 

March 2009                 Cuenca, Semana de Música Religiosa, seminario: ‘El misticismo y la música en el siglo XVI: ¿mito o realidad?’

 

November 2008          Zaragoza, Institución Fernando el Católico, curso Conceptos del Patrimonio Musical: ‘ “Pura expresión de la musa popular”: el Cancionero Musical Español de los siglos XV y XVI de Barbieri y el concepto de patrimonio musical a partir de 1870’

 

September 2008          Utrecht Early Music Festival, Summerschool: ‘Sixteenth-Century Spanish Music: The Unanswered Questions’

 

June 2008                    Aldeburgh International Festival: ‘“Through song in Him and in His sweet mother too”: Machaut and His Mass’

 

May 2008                    Glyndebourne International Opera Festival: ‘“Cantiam … amorosi canzoni”: Duets in Monteverdi’s L’Incoronazione di Poppea’

 

June 2007                    Aldeburgh International Festival: ‘Monteverdi’s Madrigals’

 

May 2007                    Bristol University, Department of Hispanic, Portuguese and Latin American Srudies, IXth Bristol Colloquium on Books and Manuscripts: ‘The Missal-Breviary of Ferdinand of Aragon’

 

October 2006              Universidad de Valladolid, Departamento de Música, Internacional Simposio on Alexander Agricola: ‘Agricola y la difusión de sus obras en la Península Ibérica’

 

February 2006             Queen Mary Westfield, University of London, Hipsanic Research Seminar: ‘Isabel of Castile and Her Music Books: French and Burgundian Song in Fifteenth-Century Spain’

 

November 2005          All Souls’ College, University of Oxford, Medieval Research Seminar: ‘The Music Books of Isabel of Castile’

 

January 2004               University of Cambridge, Faculty of Music, Graduate Research Seminar: ‘John Brande Trend and the Historiography of Early Spanish Music’

 

February 2002             London, Royal Festival Hall, Orchestra of the Age of Enlightenment: Handel Study Day: ‘Performing Handel from His Day to This’

 

November 2001          University of Cambridge, Faculty of Music, Graduate Research Seminar: ‘Contextualising Song in Early Renaissance Spain’

 

December 2000           Madrid, Centro de Estudios Carlos de Amberes, Seminario Internacional de Historia y Música ‘La Real Capilla y Palacio en la época de los Austrias. Corte, cerimonia y música’: ‘Una confluencia de capillas: el caso de Toledo, 1502’

 

November 2000          Zaragoza, Caja de la Inmaculada, Conference series ‘The Interpretation of J.S. Bach’

 

October 2000              Peterhouse, Cambridge, Cambridge Historical Society: ‘Music and Ceremony at the Court of the Catholic Monarchs’

 

August 1999               Dartington International Summer School: ‘From Source to Performance: Singing from Old Notation’

 

May 1999                    London, Burlington House, Society for Court Studies: ‘Royal Propaganda and Music During the Reign of the Catholic Monarchs’

 

May 1998                    Barcelona, XXI Festival de Música Antiga: Curs Monográfic: ‘Reflexions sobre la interpretació de la música espanyola renaixentista: el que ens diuen—i no ens diuen—les fonts, les intèrprets i les audiènces’

 

February 1997             Royal Holloway, University of London, Department of Music, Research Seminar: ‘Motet Repertories in Early Sixteenth-Century Europe: Text, Music and Function in the Iberian Peninsula’

 

October 1996              University of Southampton, Department of Music, Research Seminar ‘ “Music of Its Time”: The Problem of Analyzing Old Music: The Case of the Spanish Motet to c.1520’

 

July 1995                     London, Plainsong and Medieval Music Society Study Day: ‘Texting, Composition and Performance in the Cancionero Musical de Palacio’

 

October 1994              London, King’s College, University of London, Institute of Advanced Musical Study seminars: ‘Piety and Music at the Court of Ferdinand and Isabella’

 

July 1994                     Zaragoza, Universidad, Área de Música: ‘Spanish Nusic in the seventeenth and eighteen Centuries’

 

November 1993          Memphis State University, Department of Music: ‘The Motet Repertory of Tarazona Cathedral, MS 2/3’

 

February 1991             University of London, Institute of Historical Research, ‘Music and History’ seminars: ‘The Falcon, the Quill and the Pomegranate: Patterns of Royal Patronage in Late-Medieval Spain’

 

January 1989               London, The Warburg Institute, Seminar on ‘Music and Ideas’: ‘Sánchez de Arévalo’s Vergel de los Príncipes: Musical Thought and the Heir to the Throne in Fifteenth-Century Spain’

 

December 1987           London, Westfield College, University of London, Hispanic Research Seminar: ‘The Sung repertory of the cancioneros: Evidence for Performance, 1467-1527’

 

May 1985                    London, The Warburg Institute: ‘Northern Influence on Cultural Developments in the Iberian Peninsula, 1378-1516’

 

May 1984                    University of Oxford, Hispanic Research Seminar: ‘Ritual and Regulation: the Constituciones of the Castilian Royal Chapel’

 

November 1983          London, Westfield College, University of London, Hispanic Research Seminar: ‘Christmas Songs at the Court of the Catholic Monarchs: Tradition and Innovation’

 

February 1983             University of Oxford, Hispanic Research Seminar: ‘Religious Song at the Court of the Catholic Monarchs’

 

December 1980           University of Cambridge, Hispanic Research Seminar: ‘Mateo Flecha (d.1550) and the Development of the ensalada’

 

 

Conference papers and lectures:

 

October 2019              Évora, II Historical Soundscapes Meeting, 16-18 October: ‘Royal Entries into Barcelona and the History of Emotions’

 

September 2019          Barcelona, Institut Milà i Fontanals–CSIC,  Congreso Internacional ‘Música, patrimonio y sociedad en la era de las humanidades digitales’, 3-4 September: (with Ascensión Mazuela-Anguita), ‘El concepto de comunidad acústica y el potencial de ‘mapping’ en la musicología urbana’

 

June 2019                    Roma, Università di Roma ‘La Sapienza’, ‘Rethinking the Soundscape: Musical Events and the Soundscapes of Italian Cities, XVI-XIX Century’, 6-28 June: ‘Thinking About Acoustic Communities in Sixteenth-Century Mediterranean Cities’

 

May 2019                    Braga, Universidade do Minho, Congresso Internacional ‘Paisagens sonoras: Património, história, territórios artísticos e arqueologia sonora’, 23-25 May: ‘Acoustic Communities in Early Modern Barcelona’

 

March 2019                 Valencia, Universitat de València, Congrès Internacional ‘El patrimoni musical de la Corona de Aragó (1418-1707): Estat de la recerca, transferència del coneixement i reptes en el segle XXI’, 21-22 March: ‘La experiencia sonora de las ciudades (siglo XV)’

 

January 2019               Barcelona, MUHBA: Entrades reials a Barcelona, 1500 a 1700, 24 & 31 January: ‘Les entrades reales a Barcelona i la història de les emocions’

 

December 2018          Tübingen, Universitat Tübingen, International Worshop: ‘Sensible

Communities. The Senses and Community Formation in Early

Modern Cities and Towns’, 6-7 December: ‘Sensing the Celestial:

Multi-Sensory Experiences in Early Modern Ritual’

 

November 2018          Los Ángeles, UCLA–Riverside, Angelita Romero Distinguished

Lecture Series on Spanish Music and Culture, 7 November: ‘“For

whom were sweet songs set to music?” Women as Performers of and Listeners to the cancionero Repertory’

 

September 2018          Toledo, Catedral de Toledo, International symposium ‘El Cardenal Cisneros y la música’, 27-29 September: ‘Canciones y arzobispos: los Cardenales Mendoza y Cisneros como mecenas de música’

 

July 2018                    Ireland, Unibversity of Maynooth, Annual Medieval and

Renaissance Conference: ‘Street Music and Blind oracioneros

in Early Modern Spain’

 

June 2018                    Cascais, Universidade Nova de Lisboa, CESEM, International Conference ‘The Anatomy of Iberian Polyphony’, 28-29 June: ‘The “Spanish” Motet Style in the Time of Josquin’

 

April 2018                   Princeton, Princeton University, InternationalSymposium, ‘De Canciones y Cancioneros. Music and Literary

Sources of the Luso-Hispanic Song Tradition’, 7-8 April 2018:

‘ “For whom are sweet songs set to music?” Women as Performers of and Listeners to the cancionero Repertory’

 

November 2017          Barcelona, Institut d’Estudis Catalans, Societat Catalana de

Musicologia ‘Simposi Pere Alberch Vila (1517-1582) i la música del Renaixement a Catalunya’: ‘La música en la vida

                                   quotidiana de la Barcelona del Renaixement’

 

October 2017             Évora, Universidade de Évora ‘Encontro Internacional Paisaje

sonoro histórico’: ‘Archivium resonans: la dinámica entre espacio y sonido en la historia urbana’

 

October 2017             Barcelona, Universitat de Barcelona, Department de Història

Moderna, Encuentro Internacional ‘Vivir y creer en la Edad

Moderna, 18-20 October 2017: ‘Las mujeres y sus almas: el papel de la música en el más allá’

 

July 2017                     Prague, University of Prague, Annual Conference on Medieval and Renaissance Music, July 4-8: ‘Seven Years in Seville: Pedro de Escobar and Questions of Identity and Musical Practice’

 

July 2017                     Prague, University of Prague, Annual Conference on Medieval and Renaissance Music, 4-8 July: ‘Written and unwritten musics in sixteenth-century Barcelona’

 

April 2017                   Barcelona, Universitat Autònoma de Barcelona, X Jornadas de Jóvenes Musicólogos y Estudiantes de Música: ‘Musicologies d’ahir i demá: musicologies d’avui’: ‘La historia de la música hoy’

 

March 2017                 Madrid, Real Conservatorio Superior de Madrid Jornadas de Investigación Musical (siglos XII a XVI): ‘Una mirada caleidoscópica para la Historia’, Sociedad de Jóvenes Musicólogos: ‘Musicología urbana: objetivos, fuentes y metodologías’

 

February 2017             Madrid, Residencia de Estudiantes: ‘Francisco de Peñalosa: su

biografía’

 

December 2016           Girona, Universitat de Girona, Departament de Història Moderna, Seminario Internacional de Recerca ‘Moment maquivael.lica o moment macabeu? Providencialisme i secularització a l’Europa Moderna (segles XVI-XIX)’, ‘Voces conflictivas: música y religión en su contexto socio-político (siglos XVI-XVII)’

June 2016                    VII Jornades d’Història del Monestir de les Avellanes, ‘Història de l’Esglesia i la relgiositat: Cultura i coneixement als monestirs medievals’: ‘La vida musical de un monasterio: el caso de San Jerónimo de la Murtra (siglos XVI-XVII)’

 

October 2015              Madrid, Universidad Complutense, Congreso International Teresa de Ávila: ‘Voces angélicas, voces femeninas: música y espiritualidad en la época de Santa Teresa’

 

September 2015          Barcelona, Institut d’Estudis Catalans, ICREA International Workshop ‘Hearing the City: Musical Experience as Portal to Urban Soundscapes’: ‘Looking to New Horizons: Ways of Hearing the City’

 

July 2015                     Brussels, Université Libre de Bruxelles, Annual Conference of Medieval and Renaissance Music: ‘What was Francisco Guerrero doing in Sant Jeroni de la Murtra, Barcelona, in 1581? Daily Musical Life in a Sixteenth-Century Jeronymite Monastery’

 

June 2015                    Barcelona, Ateneu, Symposium ‘Música para un gabinete de curiosidades: El ambiente musical en la Barcelona de los Salvador’: ‘Un imaginarium musical de la Barcelona de la época de Joan Salvador Boscà (1598-1681)’

 

May 2015                    Barcelona, Institució Milà i Fontanals–CSIC, II Jornades IMF-CSIC ‘Ciencias humanas y retos sociales: Compassió contra justicia? Reflexiones per un temps de crisi’: ‘Entre empatía y simpatía: el papel de la música a la hora de la muerte’

 

March 2015                 Valencia, Sueca, XI Jornada de Musicología AVAMUS ‘Musiques i espais urbans a l’Edat Moderna. Nous apropaments metodològics’: ‘Urban Musica and Musical Practices in Sixteenth-Century Europe: Barcelona’

 

December 2014           Girona, Universitat de Girona, 11è Seminari d’Història Medieval: ‘Perspectivas de mecenzago musical de los Reyes Católicos’

 

September 2014          Leuven, Katholejke Universitaat, EuroMAC 2014: Eighth Musical Analysis Conference, 17-20 September 2014: ‘The Missa Pro defunctis by Pedro de Escobar: Transitions and Transformations’

 

September 2014          Bern, Universität Bern, International Conference and Workshop Musikalische Inventare–Music Inventories, 4-6 September 2014: ‘Inventories as Historical Evidence of Musical Knowledge and Activity’

 

July 2014                     Boston, Boston College, International Conference Listening to Early Modern Catholicism: New Perspectives from Musicology, 14-16 July 2014: ‘Music for the Soul: Death and Piety in Sixteenth-Century Barcelona’

 

July 2014                     Birmingham, University of Birmingham, Department of Music, Annual Medieval and Renaissance Music Conference, 3-6 July 2014: ‘Music and Piety in Sixteenth-Century Barcelona’

 

June 2014                    Barcelona, Universitat Pompeu Fabra, Facultat d’Humanitats, Departament de Filologia, invited lecture (3 June 2014): ‘Music, Gender and Magic: Opera as Mimetic Art in the Seventeenth Century’

 

May 2014                    London, St John’s Smith Square, Lufthansa Festival of Baroque Music, Festival lecture (17 May 2014): ‘Thirty Years of Flying the Festival’

 

May 2014                    London, University of London, Royal Holloway, Study Day Researching Medieval and Early`Modern Music (16 May 2014): ‘Aural History in an Urban Context: Notarial Documents and Musical Experience in Early Modern Barcelona’

 

April 2014                   Bangor, University of Bangor, Plenary lecture at International conference Early Modern Soundscapes, 24-25 April 2014: ‘Singing the Soul: the Requiem Mass and Other Music for the Dead in the Chapels, Churches, Convents and Streets of Sixteenth-Century Barcelona’

 

March 2014                 Barcelona, Universitat Pompeu Fabra, Facultat d’Humanitats, Departament de Filologia, invited lecture (6 March 2014): ‘English Music in the Age of Shakespeare’

 

February 2014             Barcelona, Editorial Tritó, presentation at book launch (20 February 2014) of Cecilia Nocilli, El manuscrito de Cervera. Música y danza palaciega catalana del siglo XV

 

July 2013                     Certaldo, Annual Medieval and Renaissance Music Conference, 4-7 July 2013: ‘Liturgy, Politics and Music Patronage: The Commissioning of Chant Books by the Catholic Monarchs’

 

June 2013                    Barcelona, Universitat Pompeu Fabra, Facultat d’Humanitats, Departament de Filologia, invited lecture (4 June 2013): ‘Music and Misogyny in Medieval Catalonia’

 

April 2013                   Cambridge, University of Cambridge, Department of Spanish and Portuguese: International Symposium ‘Remembering JB Trend: The Quiet Internationalist (22-23 April 2014): ‘Trend, Falla and the Revival of Early Music in Spain and the UK in the 1920s’

 

April 2013                   Barcelona, Escola Superior de Música de Catalunya (ESMUC): VI Jornades d’Estudiants de Musicologia i Joves Musicòlegs: Comunitats sonores: punts de diàleg (18-20 April 2013): participation in round table ‘La funció social del musicòleg como investigador’, and paper ‘Las músicas de una ciudad: el caso de Barcelona a mediados del siglo XVI’

 

March 2013                 Barcelona, Institut d’Estudis Catalans, International Colloquium of Musicology Catalogació de llibres de polifonia hispana (1450-1800): metodologies i propostes del futur (1-2 March 2013): ‘Catalogación de libros de polifonía: nuevas perspectivas’

 

January 2013               Barcelona, Residencia de Investigadores (CSIC), lecture in series of lectures Dones i música/ Mujeres y música (30 January 2014): ‘Música y mujeres en las cortes reales del Renacimiento’

 

November 2012          Zaragoza, Universidad de Zaragoza, VI Coloquio de Musicología:,Mecenazgo y coleccionismo musical (23-24 November 2012): ‘Perspectivas sobre el mecenazgo musical en el siglo XVI: la evidencia de una ensalada’

 

July 2012                     Rome, International Musicological Society, 19^th Congress, 1-7 July 2012: Study session ‘Nationalism and International Ideals in Music and Musicology: Barcelona, April 1936’, Chair; ‘Political Tensions at the Barcelona Festival and Congress 1936’

 

July 2012                     Nottingham, University of Nottingham, Department of Music, Annual Medieval and Renaissance Music Conference, 8-11 July 2012: ‘Juan de Anchieta, the Burgundian Chapel, and Motet Composition’

 

July 2012                     Nottingham, University of Nottingham, Department of Music, Annual Medieval and Renaissance Music Conference, 8-11 July 2012 (with Erika Honish & Ferran Escrivà-Llorca): ‘The Music Library of a Knight of the Order of Santiago: Diplomacy and Music Collecting in the Sixteenth Century’

 

June 2012                    Aldeburgh International Festival, pre-concert talk (12 June 2012): ‘Carlo Gesualdo: The man and His Music’

 

June 2012                    Lisbon, CESEM, International Colloquium, 21-23 June 2012, Musical Exchanges, 1100-1650: The circulation of early music in Europe and overseas in Iberian and Iberian-related sources: ‘Gonçalo de Baena’s Arte pera tanger (Lisbon, 1540): Local and International Repertories’

 

May 2012                    University of California Los Angeles (UCLA), The Robert Stevenson Lecture, 25 May 2012: ‘Music Books and Booksellers in Sixteenth-Century Spain’

 

January 2012               Barcelona, Museu d’Història de Barcelona, lecture for the series Diàlegs de História Urbana i Patrimoni (30 January 2012): ‘La cultura musical a la Barcelona del segle XV’

 

November 2011          León, ICCMU, Congreso Internacional Tomás Luis de Victoria1548-1611 (8-12 November 2011): ‘La música de Victoria y la tradición coral inglesa’

 

November 2011          Madrid, Universidad Juan Carlos, Congreso Internacional Evolución y estructura de la Casa Borgoña de los Austrias Hispanos (14-15 November 2011): ‘“Rey Fernando, mayorazgo/ de toda nuestra esperanza/ ¿tus favores a do están?”: Carlos V y la llegada a España de la capilla musical flamenca’

 

November 2011          Zaragoza, Universidad de Zaragoza, V Coloquio de Musicología Construcciones del pasado musical (25-26 November 2011): ‘“An Englishman Abroad”: John Brande Trend y la recuperación del madrigal español’

 

April 2011                   Cambridge, University of Cambridge, Department of Spanish and Portuguese, Norman McColl Symposium, Sites of power: the city of Granada as cultural icon: ‘The Road to Granada: Royal Ritual in and around the Capilla Real’

 

March 2011                London, University of London, Queen Mary, College, Colloquium

The Child’s Body at Court: ‘Children in the Castilian and Aragonese Royal Chapels c.1500’

 

December 2010           Madrid, Universidad Autónoma de Madrid,  Congreso Internacional de la Red The Court Studies: La Corte en Europa: política y religion (siglos XVI-XVIII): ‘Política y religión en la capilla real aragonesa: El misal-breviario de Fernando el Católico’

 

July 2010                     London, University of London, Royal Holloway College, Annual Conference on Medieval and Renaissance Music: ‘Music for the Dead: The Anonymous Requiem Mass in E-Zc 17’

 

May 2010                    Dublin, University of Dublin, Trinity College, Conference Exploring the Print World of Early Modern Iberia: ‘The Dynamics of Music Printing in the Iberian Peninsula, 1535-1648’

 

August 2008               Utrecht, Instituto Cervantes, International symposium, El siglo de oro: ‘A New Cathedral and the New English Singers: The Recuperation and Performance of Sixteenth-Century Spanish Music in England in the Early Twentieth Century’

 

July 2008                     Bangor, University of Bangor, Annual Conference on Medieval and Renaissance Music: ‘Gaffurius, Urrede and Studying Music at Salamanca University around 1500’

 

February 2008             London, University of London, Queen Mary College, Medieval Society, conference ‘Music in the Middle Ages’: ‘“Virgo et mater”: Marian Devotions at the Court of Ferdinand and Isabella’

 

July 2007                     Cambridge, King’s College, Symposium on Edward Dent: ‘Dent, Trend and the Spanish Madrigal’

 

July 2007                     Zurich, International Musicological Society: ‘“Aqui comiensan las obras castellanas”: The Segovia Manuscript and Transmission of the cancionero Repertory circa 1500’

 

March-April 2007       Cambridge, Clare College, International & Interdisciplinary Colloquium, ‘Imitation, Intention, Persuasion: Self-Expression in Renaissance Arts and Letters’: ‘Power, Portraits, Liturgy and Music: The Missal-Breviary of Ferdinand the Catholic’

 

December 2006           Baeza, Universidad Internacional de Andalucía, Congreso Internacional Música e instituciones eclesiásticas en Andalucía durante la Edad Moderna: ‘El culto de la Virgen en Palencia y Sevilla a principios el siglo XVI: la Salve Regina como género devocional’

 

July 2006                     Cambridge, University of Cambridge, Faculty of Music, Annual Conference on Medieval and Renaissance Music: ‘Marian Devotions in Early Sixteenth-Century Spain: The Case of the Bishop of Palencia, Juan Rodríguez de Fonseca (1451-1524)’

 

November 2004          Oviedo, VI Congreso de la Sociedad Española de Musicología, ‘Perspectivas historiográficas’: ‘Perspectivas del hispanismo musical británico en el siglo XX’

 

September 2004          Bristol, Bristol University, Conference on ‘The Spain of the Catholic Monarchs’: ‘Music and Devotion at the Court of the Catholic Monarchs’

 

June 2004                    Segovia, Congreso ‘Isabel la Católica y la Música’: ‘Los libros de música de Isabel la Católica’

 

April-May 2004          Minnesota, University of Minnesota, Conference ‘Questioning the Queen: Isabel I of Castile 500 years later’: ‘Isabel of Castile and Her Music Books’

 

September 2001          Venice, Fondazione Levi, Convegno Internazionale ‘Venezia 1501: Petrucci e la stampa musicale’: ‘Petrucci in Spain’

 

June 2001                    London, Institute of Romance Studies, WISPS (Women in Spanish, Portuguese and Latin American Studies): ‘Women and Music: Patronage and Participation in Renaissance Spain and Portugal’

 

October 1998              Lisbon, Associação Portugesa de Cîencias Musicais/ Fundação Calouste Gulbenkian, VIII Encontro Nacional de Musicología: ‘Reconstructing the Polyphonic Repertory of the Portuguese Royal Chapel in the First Half of the Sixteenth Century’

 

September 1998          Braga, Universidade do Minho, Association of Hispanists of Great Britain and Ireland: ‘A villancico in Context: Adorámoste, señor and the Function of Devotional Song’

 

July 1998                     York, University of York, Annual Conference on Medieval and Renaissance Music: ‘Music in the Education of Prince Philip of Spain’

 

August 1997               London, Conference of the International Society of Musicology,  session on ‘Music, Politics and Patronage in Spanish and Portuguese Dominions in the Early Modern Period’: ‘Propaganda política en los romances de la época de los Reyes Católicos’

 

April 1997                   Ávila, Congreso International ‘Poder, mecenazgo e instituciones en la música mediterránea, 1400-1700’: ‘El patrocinio artístico y musical de Fernando el Católico’ (with Carmen Morte García)

 

February 1997             London, Society for Court Studies, Chapels Royal Conference (with Juan José Carreras): ‘The Reconstruction of Philip II’s Chapel in Madrid’

 

May 1996                    Ávila, Seminario ‘La Catedral como institución musical (1500-1800)’: ‘El villancico como género’

 

July 1995                     Cambridge, King’s College: Conference of the Plainsong and Medieval Society, ‘New Thoughts about Old Music’: ‘A Newly Discovered Keyboard Source: Gonzalo de Baena’s Arte nouamente inuentada per aprender a tanger (Lisbon, 1540)’

 

October 1994              Minneapolis, Annual Meeting of the American Musicological Society: ‘Devotional Piety and Musical Developments at the Court of Ferdinand and Isabella’

 

July 1993                     Bangor, University of Bangor, Department of Music, Annual Conference on Medieval and Renaissance Music: ‘Francisco de Peñalosa: New Works Lost and Found’

 

October 1992              Zaragoza, Universidad de Zaragoza, VII Encuentro de Música Ibérica, Sociedad Española de Musicología, ‘La música en el entorno de la Casa Real Aragonesa en tiempos de Fernando el Católico’: ‘Fernando el Católico y el mecenazgo musical de la corte real aragonesa’

 

March 1992                 Madrid, Conservatorio Superior Real, Conference of the International Society of Musicology, Round Table ‘Cathedral Music in the Iberian World, 1500-1800’: ‘Cantores reales y las catedrales durante la época de los Reyes Católicos’

 

December 1990           Madrid, Palacio Real, International Conference ‘El Cancionero Musical de Palacio. Centenario de la edición de Barbieri’: ‘La interpretación actual del Cancionero Musical de Palacio’

 

July 1990                     London, Royal Holloway, University of London, Annual Conference on Medieval and Renaissance Music: ‘Facts from Fiction? Evidence for the Performance of the cancionero Repertory in Late Medieval Hispanic Literary Sources’

 

February 1989             Santiago de Compostela, Conference in Homage to José López-Calo: ‘Ritual and Regulations: The Organization of the Castilian Royal Chapel during the Reign of the Catholic Monarchs’

 

September 1988          Barcelona, Institut d’Estudis Catalans, International Conference in memory of Higinio Anglés: ‘Relaciones entre España y el resto de Europa en el reinado de los Reyes Católicos’

 

July 1988                     London, Guildhall School of Music and Drama, National Early Music Association, International Keyboard Conference: ‘The Claviorganum in Fifteenth-Century Spain’

 

March 1988                 London, Westfield College, Annual Conference of the Association of Hispanists: ‘Ritual and Regulations: The Organization of the Castilian Royal Chapel During the Reign of the Catholic Monarchs’

 

September 1983          London, Spanish Institute, Conference of the Anglo-Catalan Society Conference: ‘Fernando of Aragón (1479-1516) as Patron of Catalan Musicians’

 

July 1983                     Oxford, Pembroke College, Annual Conference on Medieval and Renaissance Music: ‘Franco-Flemish Music and Musicians in Spain During the Reign of the Catholic Monarchs’

 

March 1981                 Oxford, Department of Spanish, Conference of the Association of Hispanists: ‘The Emergence of the ensalada as a Music-Literary Genre, with Particular Reference to Flecha’s La justa’

 

October 1980              Cambridge, Fitzwilliam College, Conference of the Anglo-Catalan Society: ‘Music in Catalonia in the 15th and 16th centuries’ (with musical illustrations

 

 

Publications

 

Books

 

Forthcoming                ed. (with David Skinner), Music and Instruments of the Middle Ages (Woodbridge: The Boydell Press, 2020: accepted).

 

Forthcoming                Daily Musical Life in Early Modern Spain: Hearing Barcelona, 1470-1620 (under consideration by OUP).

 

2019                            (coauthor with Kenneth Kreitner), The Music of Juan de Anchieta (Oxford & New York: Routledge, 2019).

 

2018                            ed. (with Ascensión Mazuela-Anguita), Hearing the City in Early Modern Europe (Turnhout: Brépols, 2018).

 

2017                            (ed.) with Ascensión Mazuela-Anguita, Música i política en temps de Carles III i el seu context europeu, (Barcelona: Museu d’Història de Barcelona, 2017).

 

2017                            (ed.) Companion to Music in the Age of the Catholic Monarchs (Leiden: Brill, 2017).

 

2016                            (ed.) Els sons de Barcelona a l’edat moderna, Textures 6 (Barcelona: Museu d’Història de Barcelona, 2016).

 2016                            ed. (with Emilio Ros-Fábregas), New Perspectives on Early Music in Spain and Portugal (Kassel: Reichenberger Edition, 2016).

 

2011                            ed. (with Bernadette Nelson), Pure Gold: Sacred Music of the Iberian Renaissance. A Homage to Bruno Turner (Kassel: Reichenberger Edition, 2011).

 

2011                            ed. (with Geoffrey Baker), Music and Urban Society in Colonial Latin America (Cambridge: Cambridge University Press, 2011).

 

2009                            Catálogo de los impresos musicales de la Colección de Uclés (Cuenca: Instituto de Música Religiosa, 2009).

 

2007                            ed. (with Álvaro Torrente), Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres (Aldershot: Ashgate, 2007) (Robert M. Stevenson Award for Outstanding Scholarship in Iberian Music, American Musicological Society 2008).

 

2007                            ed. (with Iain Fenlon), Early Music Printing and Publishing in the Iberian World (Barcelona: Reichenberger Edition, 2006).

 

2001                            La música y los músicos en la corte de Fernando de Aragón, 1474-1516 (Zaragoza: Institución Fernando el Católico, 2000). 

 

2000                            ed. (with Luis Robledo, Cristina Bordas, Juan José Carreras), Aspectos de la cultura musical en la Corte de Felipe II (Madrid: Patrimonio Musical Español, 2000).

 

 

1992                            (ed.) (with David Fallows), Companion to Medieval and Renaissance Music (London: Dent, 1992; R/ Oxford: Oxford University Press, 1997).

 

 

Music editions

 

Forthcoming               The Complete Works of Pedro de Escobar (Lisbon: CESEM).

 

2012                Gonçalo de Baena, Arte para tanger (Lisboa, 1540), Edição e estudo introdutório/Edition and introductory study (Lisboa: Ediçoes Colibri/ CESEM, 2012).

 

2011                Anonymous, Requiem Mass (Mapa Mundi, 2011).

 

2009                Juan de Anchieta, Motets (Mapa Mundi, 2009).

 

2008                Juan de Anchieta: ‘Congratulamini mihi’ (a 3); Gonzalo de Baena:  ‘Si dedero’ (a 3); António de Baena: Sanctus & Osanna from Missa Sola la fare mi vida (a 4); in Manuel Pedro Ferreira (ed.), Antologia de Música em Portugal na Idade Média e no Rinascimento, 2 vols (Lisbon, 2008), I: 39–45.

 

2008                Francisco de Peñalosa: Missa Adieu mes amours (Mapa Mundi, 2008).

 

1996                Masterworks from Seville (Faber, 1996).

 1988                Francisco de Peñalosa: Motets a 3 (Mapa Mundi, 1988).

 

 

 Articles and book chapters

 

Forthcoming                Chapter 2: The Age of Discovery, in (eds) Walter Aaron Clark and Álvaro Torrente, The Cambridge History of Music in Spain (Cambridge: Cambridge University Press, 2022).

 

Forthcoming                ‘The meeting of the International Musicological Society in Barcelona in 1936’, in (ed.) Juan José Carreras, La musicología en la Edad de Plata (Zaragoza: Institución Fernando el Católico) (2022).

Forthcoming                (with Juan José Carreras), ‘Musical Performance and Court Politics’, in Erin Griffey (ed.), Early Modern Court Culture (2021).

 

Forthcoming                ‘Daily Musical Life in Early Modern Spain’, in (eds) Rodrigo Cacho Casal and Caroline Egan, Routledge Companion to Early Modern Spanish Literature and Culture (Routledge, 2020: accepted).

 

Forthcoming                (with Erika Supria Honisch and Ferrán Escrivà-Llorca), ‘On the Trail of a Knight of Santiago: Collecting Music and Mapping Knowledge in Renaissance Europe’ (Music & Letters, 2020: accepted).

 

Forthcoming                ‘The Sensory Aesthetics of Death in the Renaissance’, in A Cultural History of Death (London: Bloomsbury, 2020: accepted).

 

Forthcoming                ‘Música, ceremonia y espacio en el Jaén del Condestable Iranzo (1473)’, Boletín del Instituto de Estudios Giennenses, 221, 2020: accepted).

 

Forthcoming                ‘La experiencia sonora en las ciudades de la Corona de Aragón en el siglo XV’, in Francesc Villanueva & Rosa Isusi (eds), La Corona de Aragón. Investigación sobre el patrimonio musical y transferencia del conocimiento (Valencia, 2020: accepted).

 

Forthcoming                ‘Performing and Listening to the cancionero Repertory in the Fifteenth Century’, in (eds) João Pedro d’Alvarenga & Esperanza Rodríguez, The Anatomy of Polyphony Around 1500 (Kassel: Edition Reichenberger, 2020: accepted).

 

Forthcoming                ‘The Requiem Mass of Pedro de Escobar’, David Burn, The Book of Requiems: Book 1, Up to ca. 1650 (Leuven: Leuven University Press, 2020: accepted).

 

Forthcoming                ‘Devotion, Representation, Music and Liturgy at the Court of Isabel la Católica’, in Hilaire Kallendorf, A Companion to Isabel la Católica (Leuven: Brill, 2020).

 

2019a              ‘The Polyphonic Songs Attributed to Pedro de Escobar’, Revista Portuguesa de Musicología, 6/1 (2019), 183–210.

           

2019b              ‘The Written Transmission of Polyphonic Song in Spain c.1500: The Case of the Segovia Manuscript’, in Wolfgang Furhmann & Cristina Urchueguía, The Segovia Manuscript: A European Musical Repertory in Spain, c.1500, Studies in Medieval and Renaissance Music, 20 (Woodbridge: The Boydell Press, 2019), 231–263.

 

2018a              ‘Musical Representation in the Domestic Context in Early Modern Barcelona’, Quadrivium. Revista Digital de Musicología, vol. 6.

 

2018b              ‘Approaches to Text-Setting in Castilian-Texted Devotional Songs c.1500’, in (ed.) Marie-Alexis Colin, Music and Musicians in Europe from the Late Middle Ages to Modernism. Essays in Memory of Frank Dobbins (Turnhout: Brepols, 2018), 427–453.

 

2018c              ‘Orality and Aurality: Contexts for the Unwritten Musics of Sixteenth-Century Barcelona’, Hearing the City in Early Modern Europe, (eds) Tess Knighton & Ascensión Mazuela-Anguita, (Turnhout: Brépols, 2017), 295–308.

 

2017a              ‘Voces angélicas, voces femeninas: música y espiritualidad en la época de Santa Teresa de Jesús (1515-1582)’, in Santa Teresa o la llama permanente. Estudios históricos, artísticos y literarios en el V centenario del nacimiento de la Santa (1515-2015), (eds) Esther Borrego & Jaime Olmedo (Madrid: Centro de Estudios Europa, 2017), 57–70.

 

2017b              ‘Traditions and Transitions: Instrumental Music at the Court of Ferdinand and Isabel’, in (ed.) Tess Knighton, Companion to Music at the Time of the Catholic Monarchs (Leiden: Brill, 2017), 97–144.

 

2017c              ‘Relating History: Music and Meaning in the relaciones of the Canonization of St Raymond Penyafort’, in eds) Manuel Pedro Ferreira & Teresa Cascudo, Música e História: Estudos em homenagem a Manuel Carlos de Brito (Lisbon: Colibri/CESEM), 2017), 27–52. 

 

2017d              ‘Music for the Soul: Death and Piety in Sixteenth-Century Barcelona’, in (ed.) Daniele V. Filippi & Michael Noone, Listening to Early Modern Catholicism: New Perspectives from Musicology (Leiden: Brill, 2017), 238–258.

 

2016a              ‘Musical Instruments in the Domestic Sphere in Early Modern Barcelona’, in Els sons de Barcelona a l’edat moderna, (ed.) Tess Knighton, Textures 6 (Barcelona: Museu d’Història de Barcelona, 2016), 131–151.

 

2016b              ‘Gonçalo de Baena’s “Arte pera tanger” (Lisbon, 1540): Local and International Repertories’, in (ed.) Manuel Pedro Ferreira, Musical Exchanges, 1150-1600: Iberian Connections, Iberian Early Music Studies, 2 (Kassel: Reichenberger Edition, 2016).

 

2015a              Catalogue of the Exhibition ‘Fernando II de Aragón. El rey que imaginó España y la abrió a Europa’, Aljafería, Zaragoza (10 March-7 June 2015: two entries: ‘Libro cantoral: Gradual Pars Altera (Catedral de Huesca); ‘Libro con música de las capillas de Fernando e Isabel (E-TZ 2/3)’.

 

2015b              (with Ascensión Mazuela-Anguita), ‘The Soundscape of the Ceremonies Held for the Beatification of St Teresa of Avila in the Crown of Aragon, 1614’, Scripta. Revista Internacional de Literatura i Cultura Medieval i Moderna, 6 (2015), 225–250.

 

2015c              ‘Spanish Songs for Christmas Eve from the Early 16th-Century’, Early Music, 43/3 (2015), 455–469.

 

2014a              ‘A New Cathedral and the New English Singers: The Recuperation and Performance of Sixteenth-Century Spanish Music in England in the Early Twentieth Century’, Revista de Musicología, 37/2 (2014), 541–558.

 

2014b              ‘John Brande Trend (1887-1958) and His “iter hispanicum”’, Music & Letters, 95 (2014), 550–583.

 

2014c              ‘La última trayectoria de los Reyes Católicos’, En la Andalucía medieval, XII/46 (2014), 82–87.

 

2014d              ‘“Rey Fernando, mayorazgo/ de toda nuestra esperanza/ ¿tus favores a do están?”: Carlos V y la llegada a España de la capilla musical flamenca’, in (eds) José Eloy Hortal Muñoz & Félix Labrador Arroyo, La Casa de Borgoña. La Casa del rey de España (Leuven: Leuven University Press, 2014), 205–228.

 

2013a              ‘La viuda de Mateo Flecha: perspectivas sobre el mecenazgo musical en el siglo XVI’, Resonancias, 33 (2013), 71–87.

 

2013b              ‘Trend, Falla y el resurgir del interés por la música antigua en España durante la primera mitad del siglo XX’, Boletín de la Institución Libre de Enseñanza, 2a época, 89–90 (2013), 83–98.

 

2013c              ‘Iberian Discoveries: a Janus Perspective’, Early Music, 41 (2013), 30–32.

 

2013d              ‘The a cappella Heresy in Spain: An Inquisition into the Performance of the cancionero Repertory’, in (ed.) Sean Gallagher, Secular Renaissance Music: Forms and Functions, A Library of Essays on Renaissance Music, 2 (Farnham: Ashgate, 2013), 105–124.

 

2013e              ‘Victoria and the English Choral Tradition’, in (eds) Javier Súarez-Pajares & Manuel del Sol, Estudios Victoria Studies (Madrid: ICCMU, 2013), 71–92.

 

2012a              ‘Ritual and Regulations: The Organization of the Castilian Royal Chapel During the Reign of the Catholic Monarchs’, in (ed.) Thomas Schmidt-Beste, Renaissance Music, A Library of Essays on Renaissance Music, 5 (Farnham: Ashgate, 2012).

 

2012b              ‘Política y religión en la capilla real aragonesa: el misal-breviario de Fernando el Católico’, in (eds) J. Martínez Millán, M. Rivero Rodríguez, G. Vertsteegan, La corte en Europa. Política y religión (siglos XVI-XVIII), 2 vols (Madrid: Ediciones Polifemo, 2012), 65–84.

 

2012c              ‘"Motetes de la Salve": Some Thoughts on the Provenance, Compilation and Use of Seville, Biblioteca Colombina 5-5-20’, in (eds) Walter Clark & Michael O'Connor, The Treasures of the Golden Age: Essays in Honor of Robert M. Stevenson (Hillsdale, NY: Pendragon Press, 2012), 29–58.

 

2012d              ‘Preliminary Thoughts on the Dynamics of Music Printing in the Iberian Peninsula during the Sixteenth Century’, Bulletin of Spanish Studies, 89/4 (2012), 521–56.

 

2011a              ‘Gaffurius, Urrede and Studying Music at Salamanca University around 1500’, Revista de Musicologia, 34/1 (2011), 11–36.

 

2011b              ‘Music and Misogyny in the Crown of Aragon c. 1412’, Artigrama, 26 (2011) (Monográfico ‘Las artes en tiempos del Compromiso de Caspe’), 515–31.

 

2011c              ‘Music for the Dead: The Anonymous Requiem Mass in E-Zc 17’, in (eds) Tess Knighton & Bernadette Nelson, Pure gold: Sacred Music of the Iberian Renaissance. A Homage to Bruno Turner (Barcelona: Reichenberger Edition, 2011), 262–290.

 

2011d              ‘A new Song in a Strange Land? Garcimuños’s Una montaña pasando’, in (eds). Fabrice Fitch & Jacobijn Kiel, ‘Bon jour, Bon mois et bonne estraine’: Essays on Music in Honour of David Fallows (Woodbridge: The Boydell Press, 2011), 186–197.

 

2011e              ‘Music in Catalonia from Pedrell to the Present’, in (ed.) Dominic Keown, Companion to Catalan studies (London: Tamesis, 2011), 163–184.

 

2011f              ‘Music and Ritual in Urban Spaces: The Case of Lima, c.1600’, in (eds) Geoffrey Baker & Tess Knighton, Music and Urban Society in Colonial Latin America (Cambridge: Cambridge University Press, 2011), 21–42.

 

2010                ‘Through a Glass Darkly’: Music and Mysticism in Golden Age Spain’, in (ed.) Hilaire Kallendorf, A Companion to Hispanic Mysticism (Leiden: Brill, 2010), 411–36.

 

2009a              ‘Hacia el canon musical: la circulación de polifonía en Aragón en el siglo XVI’, en (ed.) Carmen García Morte, El esplendor del Renacimiento en Aragón, Catálogo de la Exposición (Zaragoza: Museo de Aragón, 2009). 

 

2009b              ‘Marian Devotions in Early Sixteenth-Century Spain: The Case of  the Bishop of Palencia, Juan Rodríguez de Fonseca (1451–1524)’, in (eds) Mary Jennifer Bloxam & Gioia Filocamo, ‘Uno gentile et subtile ingenio’: Studies in Renaissance Music in Honour of Bonnie Blackburn (Turnhout: Brépols/ Centre d’Études Supérieures de la Renaissance, 2009), 137–46.

 

2008a              ‘Music and Devotion at the Court of the Catholic Monarchs’, in (ed.) David Hook, The Spain of the Catholic Monarchs. Papers from the Quincentenary Conference (Bristol, 2004) (Bristol: University of Bristol, 2008), 206–17.

 

2008b              ‘Juan del Encina (1468-1529/30)’, Semblanzas de compositores españoles, Revista de la Fundación Juan March, 374 (2008), 2–7.

 

2008c              ‘Isabel of Castile and her Music Books: Franco-Flemish Song in Fifteenth-Century Spain’, in (ed.) Barbara Weissberger, Queen Isabel I of Castile: Power, Patronage, Persona (Woodbridge: Tamesis, 2008), 29–52.

 

2007a              ‘Morales in Print: Distribution and Ownership in Renaissance Spain’, in (eds) Owen Rees & Bernadette Nelson, Cristóbal de Morales: Sources, Influences, Reception (Woodbridge: The Boydell Press, 2007), 161–75.

 

2007b              ‘Libros de canto: Music Books in Zaragoza in the Early 16th Century’, in (eds) Iain Fenlon & Tess Knighton, Early Music Printing and Publishing in the Iberian World (Barcelona: Reichenberger Edition, 2007), 215–39.

 

2007c              ‘Song Migrations: The Case of Adorámoste, Señor’, in (eds) Tess Knighton & Álvaro Torrente, Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres (Aldershot: Ashgate, 2007), 53–76.

 

2006                ‘ “Music Why do you Weep?” A Lament for Alexander Agricola’, Early Music, xxxiv/3 (2006), 427–42.

 

2005a              ‘Petrucci’s Books in Early Sixteenth-Century Spain’, in (eds) Giulio Cattin & Patrizia alla Vecchia, Venezia 1501: Petrucci e la stampa musicales/ Venice 1501: Petrucci, Music, Print and Publishing (Venice: Edizioni Fondazione Levi, 2005), 623–42.

 

2005b              ‘A Meeting of Chapels: Toledo, 1502’, in (eds) Juan José Carreras & Bernado J. García García, The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe (Woodbridge: The Boydell Pess, 2005), 85–102.

 

2005c              ‘La circulación de la polifonía europea en el medio urbano: Libros impresos de música en la Zaragoza de mediados del siglo XVI’, in (eds) A. Bombi, Juan J. Carreras & Miguel A. Marín, Música y cultura urbana en la Edad Moderna (València: Universitat de València, 2005), 337–49.

 

2004                ‘Los libros de música de Felipe II: La formación de una colección real’, in (eds) John Griffiths & Javier Súarez-Pajares, Políticas y prácticas musicales en el mundo de Felipe II (Madrid: ICCMU, 2004), 47–67.

 

2002                ‘Francisco de Peñalosa: New Works Lost and Found’, in (ed.) David Crawford, Encomium musicae: Essays in Memory of Robert J. Snow (Hillsdale, NY: Pendragon Press, 2002), 231–57.

 

2001                ‘Una confluencia de capillas. El caso de Toledo, 1502)’, in (eds) Juan José Carreras & Bernardo J. García García, La capilla real de los Austrias: música y ritual de corte en la Europa moderna (Madrid: Fundación Carlos d’Amberes, 2001), 127–49.

 

1999                (with Carmen Morte) ‘Ferdinand of Aragon’s Entry into Valladolid in 1513: The Triumph of a Christian King’, Early Music History, 18 (1999), 119–63.

 

1997                ‘Spaces and Contexts for Listening in 15th-Century Castile: The Case of the Constable’s palace in Jaén’, Early Music, xxv/4 (1997), 661–77.

 

1996a              ‘Work in Progress: Music and Court History’, Newsletter of the Society for Court Studies (1996).

 

1996b              ‘A Newly Discovered Keyboard Source (Gonzalo de Baena’s Arte nouamente inuentada pera aprender a tanger, Lisbon, 1540): A Preliminary Report’, Plainsong and Medieval Music, 5/1 (1996), 81–112.

 

1996-7             ‘Transmisión, difusión y recepción de la polifonía franco-neerlandesa en el reino de Aragón a principios del siglo XVI’, Artigrama,  12 (1996–7), 19–38

 

1993a              ‘Cantores reales y las catedrales durante la época de los Reyes Católicos’, Revista de Musicología, xvi/1 (1993), 87–91.

 

1993b              ‘Fernando el Católico y el mecenazgo musical de la corte real aragonesa’, Nassarre: Revista Aragonesa de Musicología, ix/2 (1993), 27–51.

 

1993c              ‘New Light on Musical Aspects of the Troubadour Revival in Spain’, Journal of the Plainsong and Medieval Society, ii/1 (1993), 87–92.

 

1992a              ‘Going Down on Record’, in David Fallows & Tess Knighton (eds), Companion to Medieval and Renaissance Music (London: Dent, 1992; R/ Oxford: Oxford University Press, 1997), 30–35.

 

1992b              ‘A Day in the Life of Francisco de Peñalosa’, in David Fallows & Tess Knighton (eds), Companion to Medieval and Renaissance Music (London: Dent, 1992; R/ Oxford: Oxford University Press, 1997), 79–84.

 

1992c              ‘The a cappella Heresy in Spain: An Inquisition into the Performance of the cancionero Repertory’, Early Music, xx/4 (1992), 560–81.

 

1990                ‘Ritual and Regulations: The Organization of the Castilian Royal Chapel During the Reign of the Catholic Monarchs’, in Miscelánea en honor al Prof. Dr José López-Calo, SJ (Santiago de Compostela, 1990), I: 291–320.

 

1987                ‘Music at the Court of Ferdinand and Isabella (1474-1516): The Birth of a New Generation of Composers’, in Iain Fenlon (ed.), Man and Music: The Renaissance (London: Macmillan, 1989), 341–60.

 

1986                ‘Northern Influence on Cultural Developments in the Iberian Peninsula During the 15th Century’, Renaissance Studies, 1/2 (1987), 221–37.

 

 

Dictionary entries

 

(eds) Stanley Sadie & John Tyrrell, The New Grove Dictionary of Music and Musicians

(2^nd edn) (London: Macmillan, c.2001), 29 vols:

‘Aldomar, Pedro Juan’; ‘Almorox, Juan’; ‘Baena, Gonzalo de’; ‘Baena, Lope de’;

‘Belmonte’; ‘Brihuega, Bernaldino de’; Catholic Monarchs’; ‘Encina, Juan del’;

‘Enrique’; ‘Fernández, Diego’; ‘Lagarrto, Pedro de’; ‘León, Juan de’; ‘Madrid, Juan

Fernández de’; ‘Medina, Fernand Pérez de’; ‘Mena Gabriel’; ‘Mondéjar, Alonso de’; ‘Moxica’; ‘Oriola, Pietro’; ‘Peñalosa, Francisco de’; ‘Plaja, Alonso de’; ‘Tordesillas, Pedro de’; ‘Triana, Juan de’; ‘Urrede, Johannes’

 

(ed. Emilio Casares), Diccionario de la Música Española e Hispanoamerica

(Madrid:Sociedad General de Autores y Editores, 1999-2002), 10 vols:

‘Alba, Alonso de’; ‘Almorox, Juan Alvárez de’;  ‘Alonso’; ‘Badajoz, Garci Sánchez de’; ‘Baena’; ‘Brihuega’; ‘Díaz, Pedro’; ‘Escobar, Pedro de’; ‘Fernández, Lucas’; ‘Fernando I’; ‘Gabriel’; ‘Gijón, Juan Pérez de’; ‘Hernandes, Pedro’; ‘Isabel la Católica’;  ‘Lagarto, Pedro’; ‘León, Juan de’; Madrid, Juan Fernández de’; ‘Martínez, Lope’; ‘Medina, Fernand Pérez de’; ‘Milarte, Jacobus de’; ‘Millán’; ‘Mondéjar, Alonso de’; ‘Moxica’; ‘Peñalosa, Francisco de’; ‘Ponce, Juan’; ‘Quixada’; ‘Ribaflecha, Martín de’; ‘Ribera, Antonio de’; ‘Rodríguez, Juan’; ‘Román, Juan’; ‘Salzedo, Miguel de’; ‘Segovia, Juan de’; ‘Toresillas’; ‘Toro, Alfonso de’; ‘Torre, Alonso de la’; ‘Torre, Francisco de la’; ‘Troya, Alfonso de’; ‘Valera, Juan de’

 

(ed.) Ludwig Finscher, Musik in Geschichte und Gegenwart, 2^nd edn (Kassel: Bärenreiter & Stuttgart: Metzler, 1994-2008): ‘Alba, Alonso Pérez de’; ‘Almorox, Juan’; ‘Baena, Lope de’; ‘Hernández de Castilleja, Pedro’; ‘Tordesillas, Pedro Hernández de’

 

 

Reviews of books and editions

 

Music & Letters, lxiv (1983), 285-6    José López-Calo, La música medieval en Galicia (1982)

Early Music, xiii/2 (1985), 303-7        Rebecca L. Gerber, The complete works of Johannes Cornago

Early Music, xv/1 (1987), 85-9           Allan W. Atlas, Music at the Aragonese court of Naples (1985)

Renaissance Studies, 1/2 (1987),         Allan W. Atlas, Music at the Aragonese court of

263-6                                       Naples (1985)

Early Music, xvi/1 (1988), 115-7        Calderón de la Barca, La estatua de Prometeo (ed. Margaret Greer & Louise Stein) (1986)

Renaissance Studies, 3/3 (1989),         Gary Tomlinson, Monteverdi and the end of the

324-7                                       Renaissance (1987)

Reniassance Studies, 4/3 (1990),         Anthony F. Carver, Cori spezzati: the development

339-42                                     of sacred polychoral music to the time of Schütz (1988)     

Early Music, xviii/2 (1990), 306-9      (eds) Christopher Pountain & Christine Whitbourn, Songs from the Cancioneros (1988)

(ed.) Charles Jacobs, A Spanish Renaissance Songbook (1988)

Early Music, xx/4 (1992), 680            Calderón de la Barca, La púrpura de la rosa, (eds) Angeles Cardona, Don Cruickshank & Martin Cunningham, (1990)

Early Music History, 13 (1994),          Louise K. Stein, Songs of mortals, dialogues of  

283-91                                     Gods (1993)

Early Music, xxiv/2 (1996), 346-9      (eds) Thomas Binkley & Margit Frenk, Spanish romances of the sixteenth century (1995)

Journal of the American                    Robert Snow, A New-World collection of polyphony

Musicological Society, 52/1 (1999),   for Holy Week and the Salve service: Guatemala 176-82                                                    City, Cathedral Archive, Music MS 4 (1996)           

Musicology Australia, 23 (2000),        Michael Noone, Music and musicians in the Escorial

143-7                                                   liturgy under the Habsburgs, 1563-1700 (1998)

Times Literary Supplement (2000)      Walter A. Clark, Isaac Albéniz: portrait of a Romantic (c.1999)

Times Literary Supplement (2001)      James Radomski, Manuel García (1775-1832): chronicle of the life of a bel canto tenor at the dawn of Romanticism (2000)

Times Literary Supplement (2001)      Carol A. Hess, Manuel de Falla and modernism in Spain, 1898-1936 (2001)

Early Music, xxxi/1 (2003), 129-31    (ed.) Barbara Haggh, Essays in music and culture in honor of Herbert Kellman (2001)

Music & Letters, 90/1 (2008), 162-6   Juan Ruiz Jiménez, La Librería de Canto de Órgano: Creación y pervivencia del repertorio del Renacimiento en la actividad musical de la catedral de Sevilla (2007)

Early Music, xxxvii/2 (2010), 451-2   Ginés Pérez (?-1600), Set motets inèdits, ed. Esperanza Rodríguez (Valencia, Institut Valencià de la Música i Tritó, 2006)

Vincenzo Ruffo – Andrea Festa, Completorium cum quinque vocibus. Otto salmi e un cantico a cinque voci per l’ora di Compieta, ed. Maurizio Tarrini, Studi e Fonti per la Storia della Musica in Liguria (Genoa, 2004)

Music & Letters, 92/3 (2011), 470-2   Lorenzo Candelaria, The Rosary Cantoral: ritual an social design in a chantbook from early Renaissance Toledo (2008)

 

Óenach: Journal of the Forum           Susan Boynton, Silent Music. Medieval Song and

for Medieval and Renaissance            the Construction of History in Eighteenth-Century

Studies in Ireland, 4/1 (2012),            Spain (New York: Oxford University Press, 2011), 37–43

 

Early Music, 41 (2013), 149-152        (eds) Alfonso de Vicente & Pilar Tomás, Tomás Luis de Victoria y la cultura musical en la España de Felipe III (Madrid: Centro de Estudios Europa Hispánica/ Machado Libros, 2012)

                                                            Javier Marín López, Los libros de polifonía de la Catedral de México. Estudio y catálogo crítico, 2 vols (Madrid: Sociedad Española de Musicología/ Universidad de Jaén, 2012).

 

Times Literary Supplement,                Susan McClary, Desire and Pleasure in Seventeenth

26 April 2013                                      Century Music (University of California Press, 2012).

 

Early Music, 45/1 (Feb. 2017)            Iberian Treasures (Music Review): Juan Hidalgo, Celos aun del aire matan, ed. Louise K. Stein, Recent Researches in the Music of the Baroque Era, 187 (Middleton, WI: A-R Editions Inc., 2014), and Santiago Billoni, Complete Works, ed. Drew Edward Davies, Recent Researches in the Music of the Baroque Era, 170 (Middleton, WI: A-R Editions Inc., 2011).

 

Early Music, 45/3 (Aug. 2017)           ‘Early Music from the Iberian World’ (Recording Review)

 

Early Music (2020, forthcoming)        Owen Rees, The Requiem Mass of Tomás Luis de Victoria (1603) (Cambridge: Cambridge University Press).

 

Revue de Musicologie (2020, forth- Laurenz Lütteken, Music of the Renaissance.

coming)                                               Imagination and Reality of a Cultural Practice, trans. James Steichen (Oakland, CA: University of California Press, 2019).

 

Concert series

 

November 1985-         London, Queen Elizabeth Hall & St James’s, Piccadilly: Artistic

February 1986             Advisor for a series of concerts to accompany the exhibition Homage to Barcelona: The City and its Arts, 1888-1936

• London, Lufthansa Festival of Baroque Music, Artistic Director

2004-2007                  London, Southbank Centre, Early Music Weekend, Artistic

Director

March 2006                 Seville, Seville: A Festival of Spanish Music, Martin Randall Music Management

June 2010                    Granada International Festival, Del Occidente al Oriente, two concerts by Plus Ultra/ Michael Noone: 1: Una familia granadina: los Vaca de Castro; 1: María de Hungría

June 2011                    Granada International Festival, various concerts and events

March 2019                 Madrid, Fundación Juan March, three concerts of music from the time of the Catholic Monarchs

 

 

Recording and concert projects

 

[Music editor, programme advisor and notes]

 

1989                            CRD/ Quodlibet: Pedro de Escobar: Requiem Mass and other works (CRD3450)

 

• EMI/ Hilliard Ensemble: Spanish and Mexican Renaissance vocal music (EMI CDS 7 54341 2)

 

1993                            Hyperion/ Gothic Voices: The voice in the garden: Spanish songs and motets 1480-1550 (CDH 55298)

 

2002                            Avie Records / The Dufay Collective, Cancionero: music from the Spanish court 1470-1520 (AV0005)

 

2006                            Harmonia Mundi USA/ The Orlando Consort, The Toledo Summit: early 16^th-century Spanish and Flemish songs and motets (HM907328)

 

2009                            Cuenca, Semana de Música Religiosa, Ensemble Gilles Binchois, Motets of Fernando de Las Infantas

 

 

Radio

 

1985-present               Regular interviews, discussions and contributions to BBC Radio 3 and BBC Radio 4, notably for BBC Radio 3’s ‘Building a library’ on CD Review (including surveys of recordings of William Byrd, Masses; Victoria, Requiem; Tallis, Lamentations; Josquin, Missa Pange lingua; Monteverdi, L’Orfeo; Monteverdi, operas on DVD, Monteverdi Madrigals Bk.VIII, the works of Carlo Gesualdo, the works of John Dowland, Monteverdi, L’incoronazione di Poppea, ensaladas of Mateo Flecha, etc.) and appearances on Spirit of the Age, The Early Music Show, Music Matters, etc. Interviewed on Radio Nacional de España and Catalunya Música.

 

 

Press music criticism (interviews, concerts and recordings)

 

                                   Concert and recordings reviwer  (early music) for The Independent, The Times, Gramophone, Early Music News, Classical Music: too numerous to present in detail.